It was the process of pictorial reproduction that freed the hand of its most artistic function. This break in tradition reversed the function of art as ritual and instead promotes contemplative immersion. This change in reproduction is seen as a decisive point in the theology of art where further critical enquiry is required to decipher hidden meanings and motifs. Below is an example of one of the first methods of film, it represents the acceleration in mechanical modes of reproduction and also a change or evolution in traditional art practices.

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